Originally published in Interiors & Sources

10/25/2012

The Two Towers

Perkins+Will assembles a diverse team to help design a complex, flexible, yet beautifully cohesive new medical center for Baltimore’s storied Johns Hopkins Hospital.

By Robert Nieminen

 
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    Artist Kate Malone's "The Bouquet" sits atop a custom-designed reception desk in the main lobby of the Sheikh Zayed Tower, which also features Bob Chairs from Coalesse and bench seating from Inno, upholstered in Edelman Leather and treated with Crypton. View larger

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    The curvilinear glass and brick building, accented with colorful panels designed in collaboration with artist Spencer Finch, serves as the new front door to the hospital. Artist Robert Israel's painted steel "Pair of Rhinos" welcomes guests to the Children's Tower. All the artwork in The Johns Hopkins Hospital was curated by Nancy Rosen. View larger

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    The AND seating system, designed by Fabio Novembre for Cappellini and upholstered here in Maharam’s Fedora wool fabric, makes a bold design statement in the Children’s Center lobby, and could easily be mistaken for one of 500 original works of art featured throughout The Johns Hopkins Hospital. View larger

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    The theme of the artwork in the Charlotte R. Bloomberg Childrens Center focuses on childrens literature and learning, as illustrated by artist Robert Israel's "Cow Jumping Over the 28 Phases of the Moon." View larger

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    Sound-absorptive Techstyle ceiling tiles by Hunter Douglas mitigate sound transmission and help to create a tranquil environment throughout the facility, including the faculty office area and conference rooms seen here. View larger

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    In the Children's Center elevator lobbies, wayfinding is reinforced through brightly-colored metal panels on each floor. Views to the outside orient visitors to their location. View larger

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    Public seating by Vladimir Kagan Couture, featured here (in blue), is seen next to artist Robert Israel’s "School of Puffer Fish"; the red, swirling seating in the background is Cappellini's AND system, covered in Maharam fabric and treated with Nano-Tex. View larger

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    Patients and staff benefit from the generous amount of daylight—seen here in a staff conference room—that penetrates the glass curtain wall created in collaboration with artist Spencer Finch. View larger

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    A nurses station in the Children's Center emergency department features artist Lauren Adams’s "Papel Picado", made of color silkscreens on paper. View larger

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    Bright colors were used to create an uplifting and joyful environment, as seen in the Children’s Center surgery waiting area. View larger

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    Allermuir’s Lola chairs in brightly-colored fabrics were specified for the Children’s Center waiting area; artist Timothy Woodman’s “Ferdinand’s Flowers” adorn the accent wall. View larger

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    Evidence-based design strategies, which are based on peer-reviewed research, were incorporated throughout the facility; patients and family members can research medical topics in the Children’s Center resource library, seen here. View larger

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    Nora rubber flooring, Pantone seating from Vitra and tables from izzy+ were selected for the Children’s Center inpatient unit play room. View larger

According to Carolyn BaRoss, IIDA, ASID, LEED AP, design principal at Perkins+Will, the client was “very aware of the problem of noise in the healthcare environment and its impact on patients’ ability to rest and heal, on stress levels, as well as on the staff’s ability to hear communication clearly and to be able to focus on their work. So, there were a lot of strategies within the interior environment that we used to help mitigate sound transmission [to] create as quiet an environment as possible.”

For example, the hospital has a quiet nurse call system to replace the disturbance of constant overhead paging. Other approaches to addressing acoustics include sound-absorptive and deflecting ceiling tiles, soffits and wall configurations; fabric-wrapped wall panels; and even custom lighting fixtures, which serve as both acoustical buffers and dimmable lights for a soft glow at night.

The curvilinear colored metal, glass and brick curtain wall designed in collaboration with artist Spencer Finch serves as the new front door to the hospital, and, by extension, the entire 14-acre campus. A landscaped entry plaza, the size of a football field, leads the way into a two-story sky-lit adult tower lobby with a meditation garden, as well as the soaring four-story children’s lobby.

This welcoming environment extends into the interiors and helps reduce the stress levels of patients and visitors as they arrive. A thoughtful wayfinding plan helps to ease anxious guests as they navigate from public spaces to the various departments within the two towers.

“To have a successful wayfinding solution for these projects, it’s important that all of the elements are working together,” says BaRoss. “It’s not just about effective signage, but that the architectural language, the context, people’s orientation, the quality of the interior, the signage and the organization of the space all work in concert to make it very intuitive and easy to navigate.”

The design team made the decision to introduce windows and transparency throughout the interiors so that visitors can always see daylight and landmarks around the campus to give them a sense of orientation. Color adds another layer of wayfinding assistance and reinforces the identity of the two different towers, not only in public spaces but for staff and back-of-house workers.

Color and light are also instrumental in creating an uplifting experience for patients and staff, which is atypical of healthcare environments, where many clients shy away from bold colors, notes BaRoss. “We really took paint colors directly out of the artist’s tube of paint and looked at the pure, full spectrum of color and felt that that was the most satisfying, timeless and joyful kind of color that we could use,” she says. “To Hopkins’ credit, they are not afraid of color—that’s a quote from the client. They love color, and they’re not afraid of using all colors in the healthcare environment where many other clients sort of have trepidation.” 


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