New Behavioral Health Facility Demonstrates the Power of Buildings to Impact Wellbeing

One example of this trend is evident in the new University of California, San Francisco (UCSF), Nancy Friend Pritzker Psychiatry Building. Developed by SKS Partners and Prado Group with ZGF serving as the design architect in collaboration with Perkins&Will, the building transforms this historically underserved area by providing unprecedented access to mental health services in a beautiful, friendly and welcoming environment.

The 173,000-square-foot facility is the culmination of a long-standing vision to integrate physical and mental health at UCSF by eliminating arbitrary boundaries that have isolated psychiatry and the behavioral sciences from other medical disciplines that also advance brain health and treat brain disorders. The overarching goal and challenge for the design team was to destigmatize the experience of accessing and receiving mental and behavioral health care.

The client also desired a collaborative atmosphere that would foster synergies between clinicians, researchers and educators to support growth in a field that demands innovation and transformation. Patient populations will visit this building to access a full spectrum of outpatient care needs throughout their lifetime.

“The UCSF project treats every patient as worthy of respect and aims to provide a welcoming care experience across a full spectrum of health care programs,” Bandy said. “There was a strong aspiration on the part of UCSF to create an environment that didn’t feel like a typical or traditional medical office building or mental healthcare facility. UCSF desired a facility where the inside was visually well connected to outside. They desired an experience of lightness and transparency in the building; for the people coming and going to receive the message that mental healthcare is no different than receiving healthcare of any other type.”

To support the intertwining of mental and physical healthcare, the space needed to establish a sense of psychological safety, which the design team defined as removing the physical emblems of mistrust, disrespect and unacceptance. Two major features within the building achieve this goal, according to Bandy:

Atrium. The two major entry sequences connect directly to a five-story atrium flanked with staff offices and patient registration and waiting spaces, and thereby assembles a communal experience through an abundance of visual connections to other floors and spaces within the building. The glass ceiling and north edge of the atrium utilize dynamic shading forms to dapple light into the interior while also framing views out of the building, providing a strong connection to the immediate neighborhood and city skyline beyond. A six-foot glass guardrail optimizes these visual connections and access to daylight while balancing safety needs.

Roof terrace. Access to an outdoor space from within the building, where one may engage with their physician outside of an office setting, offers flexibility to respect a patient’s need to be mobile and unrestrained, or even to remove the power dynamics of being in a physician’s office.

Other architectural and design elements that support BMH are thoughtfully integrated throughout the project. The palette is inspired by three distinct motifs: water, landscape and place. Inspiration for the materials comes in part from San Francisco’s colorful “Painted Ladies” houses and the foggy ocean surroundings to evoke a comforting, humane environment.

The five-story light filled atrium acts as the heart of the building. This “soft heart” creates humane connectivity, wayfinding, transparency and a coherent sense of place. It is the nucleus with clinical, research and education functions flexing around it.

“The project leverages key principles of biophilic design—or nature-based design—such as daylighting and use of natural materials to support the physical and psychological health of its occupants,” Bandy said. To that end, east and west open work areas have floor-to-ceiling window openings that let in ample light and continue a visual connection to the immediate neighborhood, the bay and city skyline. Glass entry walls at each of the consult-office rooms allow exterior rooms to cast borrowed light into inner corridors.

A photographic art program by groundbreaking artist Richard Misrach includes 115 of his photographs on display throughout all levels of the building, including public waiting areas such as the ground floor lobby, staff-dedicated workplace spaces and research and clinical spaces. They depict images of the natural environment: oceans, clouds, landscapes and vegetation, and even include a new series of six photographs inspired by the structures found in music. The robust set of works were selected to uplift and inspire visitors.

“I hope [this project] conveys the importance of the physical environment as a reflection of our values,” Bandy said. “Patients seeking mental health care services deserve life-affirming spaces that provide a respectful and dignified care experience.”