A Dynamic View
This capital investment is part of the modernization initiative Upgrade SEA. Seattle is one of the fastest growing cities in the U.S., with a 12% population jump between the 2010 and 2020 census, according to city data. As the 11th busiest airport in the U.S., the augmented C Concourse is part of fulfilling “the region’s future needs with an improved level of service, reduced congestion, and less crowded terminal,” notes the Port of Seattle.
Due to space constraints, predesign work established the concourse would need to expand upwards. The Miller Hull Partnership and Woods Bagot saw the opportunity to anchor the design around the southwest facade, which brings natural light deep into the building. The increased vertical volume and new circulation is based on the concept of a multilevel public room, which alleviates the congestion of the previous layout.
With distinct 90-degree angles, the serrated facade is equipped with electrochromic glass. The dynamic tinting switches between the south and west exposures throughout the day to reduce glare and heat gain.
“If we had done static tinting, it would have been like putting a visor down on a motorcycle helmet. Instead, the electrochromic glass fluctuates between tinted and clear so we never lose light altogether,” explained Brian Court, partner at The Miller Hull Partnership. “The effect even looks like the fractal light patterns made by tree silhouettes.”
“It’s also good for wayfinding as it intuitively pulls people in,” added Katy Mercer, principal and interior design leader for Woods Bagot. “They come out of security into this open expanse and immediately feel the natural beauty.”
Since a folded facade uses more glass than a flat version, the teams did daylight modeling and an energy analysis to justify the cost. It was also helpful that they could contrast the improvement over an existing dim area with 1980s static tinting.
“While tinting is already used on a lot of airports, it’s either all blue or all grey. With dynamic tinting, it actively changes how people feel about the space,” Mercer stressed. “Visitors can watch the light play and shift across the floor.”